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 February 2019 
Wrocław: Wrocław Mime Theatre “BATORY_trans” – directed by Martyna Majewska

Wrocław: Wrocław Mime Theatre “BATORY_trans” – directed by Martyna Majewska

23 February 2019 - 24 February 2019 | 19:00 | Wrocław: Polski Theatre, Scena na Świebodzkim, Plac Orląt Lwowskich 20c

performance presentation

Wrocław Mime Theatre presents a performance BATORY_trans, directed by the winner of the Best Mime Directing Debut Martyna Majewska. The author took the inspiration for this performance from Bożena Aksamit’s book Batory. Celebrities, Scandals and Love On Ocean Liner, describing the fates of passengers of “Batory” liner.In the inter-war period, the ship regularly sailed under the GAL banner (Gdynia – America Shipping Lines). The subject of the performance will be our imaginations – how we imagine what would happen and who we would be if we were somewhere else; it touches upon the issues of emigration, need for change, escape, longing and necessity.

 

The starting point will be an enclosed space of the ship, beyond space and time, as if it was adrift somewhere on the ocean. A waiting room for dreamers. It is the time when nothing is certain, there is only us, our imaginations, random travelling companions and night. Outside there is a terrifying black ocean abyss and on the board there is of course a captain’s ball. Internal migration of passengers, their dreams and expectations are more important than whether after a three-week journey, they will really have a chance to see the Statue of Liberty.

 

Szczecin/Choreographic Commissions 2018/Opera House at the Castle: “We Children From Bahnhof ZOO” – chor. Robert Glumbek

Szczecin/Choreographic Commissions 2018/Opera House at the Castle: “We Children From Bahnhof ZOO” – chor. Robert Glumbek

23 February 2019 | 19:00 | Opera House at the Castle, ul. Korsarzy 34

24 February 2019 | 18:00 | Opera House at the Castle, ul. Korsarzy 34

performance presentation

The moving story of the teenage drug addict Christiane F. and her peers — many of whom, unable to kick the habit, die tragically – has left a lasting impression. The performance We Children From Bahnhof  ZOO is an impression on the main themes of the book and its film adaptation. As a means of expression, contemporary dance is capable of casting a new light on the story and revealing what may have escaped the public so far. The piece will be accompanied by the unforgettable music by David Bowie, as well as the alternative compositions by the Icelandic artist Valgeir Sigurðsson and the experimental pieces from Ólafur Arnalds and Alice Sara Ott’s The Chopin Project . The piece has been scripted, choreographed and directed by the outstanding choreographer Robert Glumbek, whose previous production at the Opera House at the Castle, i.e. the night of new choreographies titled Ogniwa, was awarded the Jan Kiepura Theatre Prize for the “best choreographer” (2014) and the “Amber Ring 2014” for the best piece of the season.

Warsaw/Expanding the Field: Anna Nowicka “This is the Real Thing”

Warsaw/Expanding the Field: Anna Nowicka “This is the Real Thing”

8 March 2019 - 10 March 2019 | 20:00 | Warsaw: Nowy Teatr/Nowy Theatre, ul. Madalińskiego 10/16

performance presentation

As part of the choreographic programme of Nowy Teatr and the Art Stations Foundation Expanding the Field, Anna Nowicka will present her premiere piece This is the Real Thing


“this is the real thing,” or “this is it / this is the real thing” is a piece where the body is at the centre of the performance. A single dancer creates and deconstructs her environment, playing in the landscape of visual meanings and possible references. Her own body flickers and transforms, remaining in the process of continuous becoming. Various qualities, textures, fragments of emotions, associations, situations, intentions, characters, actions, become embodied, but none of them is fixed in the form of a visual object. The physical body functions rather as an infinite hypertext, referring the viewer to more and more new associations. The dialogue between the real body and its visual representations raises the question of what the body actually is, how we perceive it and to what extent we can consciously construct it.

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