February 2020 
Photo: Jakub Wittchen. Courtesy of Art Stations Foundation by Grażyna Kulczyk. .

Lublin/Polish Dance Platform: Agata Siniarska "Death 24 frames per second or do it to me like in a real movie – delayed choreography in chapters"

7 November 2014 | 19:30 | Lublin: Incubator – Media and Art Incubator of the Maria Curie-Skłodowska University, ul. Radziszewskiego 16 (at the Chatka Żaka Academic Cultural Centre)

performance presentation

About the performance:

this solo is happening 24 frames per second/ like in a real movie/ this solo is in chapters/ this solo is dramatic but good looking/ this solo stands, sits, lies down with mouth wide open/ this solo refers to many names/ mulvey, akerman, de lauretis, butler, tyler, silverman, kuhn, deleuze, fraser, doane, jelinek, kwiatkowska, karina, godard, vitti, antonioni, bardot, shermann, chytilova, illouz, halberstam, jones, pollock, german, moreau, radkiewicz, creed, potter, modleski, herden, fassbinder although without pleasure/ this solo produces a category of truth that it strongly believes in/ this solo touches upon life and death/ this solo has never heard about agata siniarska/ this solo is fully aware that what it is producing here is emotional capitalism/ this solo would prefer if jean luc godard was a woman/ this solo is only engaged in romantic intrigues/ this solo suffers in the name of all heterosexual women/ this solo is a potential victim and feels very guilty about it/ this solo loves you and expects you to be a real man/ this solo will freeze in one frame for a long time/ this solo wants to be taken in every position/ this solo is waiting/ this solo says sorry


premiere: 5 October 2013, Studio Słodownia + 3, Old Brewery, Poznań, Poland

choreography and performance: Agata Siniarska

artistic mentor: Bush Hartshorn

technical realisation and lights: Łukasz Kędzierski

production: Art Stations Foundation by Grażyna Kulczyk


Agata Siniarska is a fictional character with many talents and a criminal past, consciously happening in a series of episodes inside the choreographic frame. Having given a chance to different kinds of theatrical forms, having studied choreography at Berlin’s HTZ, currently she devises funny little feminist studies and cultivates her yearnings for language and writing, cinema and animation in the scopeof her feminist practices. Addicted to fiction, she conducts her investigations between life/ death inside the image and life/death outside the frame, fashioning herself as a tool of visual rhetoric, through the cultural structures inscribed to her. Every image she makes, fuelled by the energy of profound theoretical hesitancy, she approaches with passion and intense fascination, acting many times not alone but in the company of some exquisite rascals.








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